Compare and contrast the com-positional styles of very early baroque vocal writing, forJacopo Peri: Le musiche sopra 1’Euridice, opera: Excerpts
Aria: Nel pur ardor
Dialogue in recitative: Per quel vago boschetto
And
Jean-Philippe Rameau: Hippolyte etAricie, opera: Conclusion of Act IV
First of all, discuss these in purely musical terms (ie. Melody, harmony, texture, timbre, rhythm, etc.") Then comment on the social, political and economic factors that may have been responsible or contributed to these developments.
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