Use as many of the UPPER LETTERS terms in the following paragraph as appropriate to your character analysis.
CHARACTERIZATION. The characters of myth and romance are heroes, but even heroes have what is called a “fFATAL FLAW” How the flaw leads to their DOWNFALL forms the dramatic interest of the story. The hero of the story is referred to as the PROTAGONIST to distinguish him or her from the ANTAGONIST with whom the hero is drawn into CONFLICT In more realistic stories, the focus is the more complex character of the ANTI-HERO(not to be confused with the antagonist), an ordinary person with a mix of strengths and weaknesses, unlikely to act in heroic ways yet full of psychological and dramatic interest – perhaps because we identify with the protagonist. Characters may be portrayed through direct physical description, their interaction with other characters, DIALOGUE (the characters speech) the characters’s own thoughts (INTERIOR MONOLOGUE), the character’s actions and behavior. Characters can be FLAT and static (one-dimensional and unchanging through the story – these are usually minor characters) or round and DYNAMIC (complex, undergoing a change or transformation through the events of the story). In analyzing characters, we examine the motivation for their actions (CHARACTER MOTIVATION), and how and why they change. We look at their conflicts (are they internal or external or a mix of both?), and how they resolve them.
Here is the link to the short story.
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