Category: Essays

(You are encouraged to use the textbook, class notes, supplementary readings, or any other scholarly work as references). Hence, employing the sociological perspective entails discussing each of these theories and how they apply to your topic of choice. (For example, how do functionalism, conflict theory, and symbolic interactionism help us to understand presidential elections; immigration rates, or Facebook interaction)? Since each theory has its unique concepts and terminology, make sure to incorporate them in a precise, appropriate, and comprehensive manner. Keep in mind that this is a final exam and you want to demonstrate your knowledge of the sociological perspective. Therefore, the clear discussion of terms and concepts is of paramount relevance.

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I have posted a selection on BB (under “Paper Topics”). In addition to the first one (title page) choose at least three of the others and take a stance on Goethe’s very positive evaluation (i.e. do you think they are highly effective?). Things to think about: what ways does the artist use to translate Goethe’s characters/ ideas / tone into the visual media (e.g., think about the use of light, of color, of lines–horizontal? Vertical? Circular? Where and what is the visual focal point of the picture? How does the artist situate this focal point, i.e., what else is included in the picture? How do these other elements affect the main focus of the picture? Be sure to include an analysis of the effectiveness (in your opinion) of the title page.

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Write a 4 to 5 page MLA Style essay including citations and a Works Cited page on how women portray themselves in Modern Art.
How do women depict themselves in the modern and post-modern world? How is it different from how men have historically depicted them?

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This paper is to be over the HBO film “Wit” starring Emma Thompson. I have attached the exact directions my professor wants and how it will be graded. She states that the essay NEEDS to have citation from our textbook. That textbook is “Exploring Lifespan Development” 2nd edition by Laura Berk. It should be easy enough just go by her exact directions.

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As we come into the modern period of the course, we will be thinking about the loss or disappearance of the individual. A film that explores this topic (among others) is Fritz Lang’s 1927 Expressionist one, Metropolis, Sprague Library DVD NO.1233. View the film and then imagine that you have one hour with Fritz Lang in which you describe to him your idea for a sequel to his film which you will call “Metropolis 2013”. How do you portray the individual in contemporary society? What do want to make the main message of your film? Will you depict similar problems that Lang depicted, or do you think society has progressed? In describing your film idea to Lang, you must show how your film will connect with his—i.e., it is a sequel so it must somehow relate to Lang’s film. [I did not put the film on reserve, but please be considerate of others and don’t keep it for more than one day/night].

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The assignment is to relate the film Beasts of the Southern Wild to Eisenstein’s 5 Methods of Montage, which could be found in the uploaded file on pages 9-14. You must watch the 2012 film and look for examples of each of the 5 Methods of Montage.

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2. Questions that must be answered within the paper:
a. This book described many pivotal cases in U.S. Supreme Court history. Please choose three cases and for each case, describe what the case involved, explain why the case was important and discuss what you found interesting about the case and include page numbers for the cases within the book.
b. What did you learn about the U.S. Supreme Court that you did not know before reading the book? What was your reaction to this (i.e. were you surprised? Disappointed? Had your suspicions confirmed?)
c. Based on your reading, what do you expect from the U.S. Supreme Court in the future? What do you think would improve our U.S. Supreme Court in the future?
5. Even though you must answer the above questions within your paper, the answers must not be written in outline form, but must instead be addressed within a fully-developed and well-written paper. When answering the above questions, you must refer to specific page numbers within the book. You must have at least five specific page references and at least three quotes from the book to support your answers to the above. These quotes must be three sentences or shorter in length (no “block” quotes are permitted).

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China Mieville is concerned with forms of human self-deception that we have been loosely calling “unknown knowns”. Briefly explain how he analyzes unknown knowns and then show how he would apply the concept to a particular person they would argue is caught in the grip of an unknown known (it could be another philosopher we have studied, it could be a public figure, it could be a fictional character/and or reality T.V. personality). How and in what ways does this person deceive themselves? What motivates them to do so? What, if anything, would the philosopher recommend for them to do?
Please have a THESIS statement. Also, be sure to use “The City & the City” as a reference. Lastly, the paper should include a thesis as well as adequate textual evidence for your claims in the form of quotations from the relevant books. It may be helpful to write your paper as explaining the topic to someone – for instance a friend – who has never read the material you discuss.

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You will begin with a brief description of each reading, including your perspective and understanding of the concepts and ideas expressed in the readings.
Contextualize the ideas, as put forth in the readings, in relation to personal and collective identity, and art and its role in community, as you develop significant perspectives of art and gender. The entry should begin with the title of the reading, followed by your analysis. Some topics may have multiple readings, the topic should be reflected upon.

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1. If you are miserable, and you like it, are you happy or unhappy? Discuss with reference to theories of happiness considered in class.
2. “Hedonism is … fundamentally wrong about the kind of mental state that happiness is. It appears to commit something of a category mistake.” (Daniel Haybron, ‘Happiness and Pleasure’, p. 510.) Explain Haybron’s critique of hedonism. Is it rationally compelling?
3. Is happiness purely a feeling, or must it also involve making a judgement that your life is going well? Could you be very satisfied with how your life is going, yet be quite unhappy? How? Could you be quite happy, even though you are verydissatisfied with your life? How? What does this tell us about the nature of
happiness?
4. Can someone be happy if her sincere belief that her life is going well is false or unjustified? Why do some philosophers believe that no purely internal psychological state is sufficient for happiness? Are there good reasons to believe these philosophers?
5. In ‘What Do We Want From a Theory of Happiness?’ (Metaphilosophy, 34(3),(2003), p. 305), Daniel Haybron claims that “we lack any satisfactory answer to the question of how we are to tell a good theory of happiness from a bad one.” Is
this so? Do Haybron’s desiderata provide a solution to this alleged problem?

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