What do you think of the endings in The Personals (Taiwan) and Kahaani (India)? As typical narrative tales of periodic function, the revelation at the end is supposed to compel you to re-view the narrated plot and rethink your already established judgment of the main characters and/or events? If you agree, in what ways do you now perceive them differently than your earlier understanding of the characters, events and overall impressions of thtwo films? Moreover, comment on how ttype of embedded tension and contention helps thicken the plot, complicate characterization and steers pitfalls to reach higher goals. Cite instances to support your argument(s). Films Kuo-fu Chen, The Personal Sujoy Ghosh, KahaaniIt should end with notation (if necessary) and a short filmography. Use quotations sparingly and do not retell details of film plots at length. Be advised to compare two or three films covered in the semester thus far. No paper is considered complete until and unless you have done a spelling check.
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