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The Motorcycle Diaries
In brief, The motorcycle diaries is a film that consist of diary entries about the journey of Ernesto “Che” Guevara as he take a trip in Latin America with Alberto Granados. The trip inspired this man to become who he did not expect to be. Alberto and Guevara witness injustice that destitute social classes and people they could never have encountered before. As the film continues, the road represents captivating and genuine pictures of Latin American identity. During their journey, Granados and Guevara encounter various challenges such as poverty of the indigenous peasants. In Chile, they met a couple who had been rejected by the society due to their socialist beliefs. As a way of demonstrating solidarity, Guevara denies to put on the rubber glove instead, shake bare hands, and swims in the river despite of being asthmatic. Throughout the journey, Alberto and Ernesto discovered the authenticity of a nation filled with injustice, oppression, and suffering.
In the film, both crisis and climax in the film. The former element can be obtained during the trip where both Alberto and Ernesto are introduced to the cruel world in addition, being subjected to the reality of poverty. Climax element can be found in the movie ending; Ernesto decides to abandon the party taking place but, opts to swim despite of having asthma. Amazingly, he effectively gets across of the other side thus; credited of courageously destroying the indistinguishable barrier thus, the film portrays Ernesto as a hero. In reality, there are three characters that depict a precise meaning in their costumes. These include Rodrigo De la Serna, Mercedes Moran, and Gael Garcia Bernal. The three are dressed in heavy jackets probably due to South American weather.
Typically, the film depicts one property used to portray meaning to audiences. The film represents two characters Albert Granado and Che Guevara decide to travel by the motorcycle. As outlined in the film, the motorcycle breaks down after they began the journey. In this context, motorcycle is one property used to highlight the challenges that their fellow countrymen undergo. The motorcycle creates a platform for readers to articulate challenges that occur throughout the movie. Quintessentially, the setting of the film is in South America whereby Ernesto proposes the aspect if touring the place. After quite a long debate, Ernest invites Alberto to the journey where they decide to travel by motorcycle. A focus feature is on the challenges presented during the trip whereby, Ernest and Alberto encounter challenges to their destination. As the film starts, Ernest and Alberto are in an island that seems undeveloped in road construction. This makes the reader to understand the thrilling adventure that comes with its challenges. For instance, the motorcycle caries Ernesto and Alberto from a thoughtful journey of discovery filled with infinite sorrow. For instance, they experience suffering that affected human beings, which eventually inspire them to change the world. They came across human suffering and poverty in addition, met a couple who had been deprived of land. Still, décor signify a particular meaning of the film whereby, the film uses dark décor. Simple background décor is used in most scenes to impose the implication of suffering and poverty that both Ernest and Alberto encountered in their journey. This creates a profound meaning to the readers that, Ernesto’s political thought are stoked within Machu Picchu where he encounters descendants living in extreme poverty.
Conclusively, the last shot of the movie is of real life person portrayed in the movie whereby Ernesto and his friend Alberto encountered a profound impact on the revolutionary. Understanding this is vital since it is what motivated the two characters to a journey of self discovery that entails a way of looking at life.
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