O’Brien, things that Carried

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O’Brien, things that Carried

            It borne in mind; The things they carried is a story by Tim O’Brien published in 1990. This collection is narrated in third and first person. The first person is derived in the text where the narrator states he is trustworthy and personal, but O’Brien notifies the reader against the very pitfall who states that war stories should be mistrusted regardless of who is narrating. The things thy carried is a collection of stories by Tim O’Brien, and the central subject being the Vietnam War. In this context, O’Brien writing serves a significant purpose of recounting what happened evoking the reader to articulate his concept that, an excellent war story that creates suspense. With no doubt; after having aggravated that valid feeling, it does not matter whether the story is true or not. Many people regard The things they carried as the stupendous work of fiction written about Vietnam War. By fiction, one imagined accounts of people, events, and things that never exist. With this in mind, Mr. O’Brien’s work is not much of fiction since the story is a real life experience that occurred forty years ago in Vietnam. However, in many cases the true war story presented cannot be believed. If one believes it, questions of credibility turn up. To this point, Mr. O’Brien creates a platform for readers to comprehend what characters are undergoing in mind, moral paradoxes and struggles of human beings. This depicts fantastic work of Mr. O’Brien as he shifts his attention to connect readers to the story.

Amazingly, The things they carried is one of the most powerful stories in the book, since the author avoids using grand sweeping sentences but, opt to use simplicity words for instance, “War is hell”. This enables the reader to fathom that war is mystery, terror, and nasty. In brief, the story begins by describing the Vietnam experience, and the title suggests, The things they carried highlight several things that are intangible such as fear and guilt, and intangible things such as Matches. It is important to note that, a reoccurring theme throughout the story is expressed in the title whereby characters carry physical objects. Throughout the story, characters portray emotions like fear and sadness. For instance, Cross carries conscientiousness for lives of men.  In addition, O’Brien sets up the dichotomy between lightness and weight, whereby the war is described in terms of weight. This implies that, these characters are predestined to carry war fore the rest f their lives. As the story begins, a group of soldiers are unequipped for Vietnam War in the sense that, they carry heavy rations, photos of their lovers, and sadness and confusion is uncontrollable. These men pretend they are not fearful not to appeal silly to other soldiers. Outlandish things happen to these soldiers in Vietnam way as they lose the sense of justice and morality. Despite of their painful experiences no one grasp their experiences back at home. As the story continues, various soldiers die as other kill themselves since each of them puts blame to himself. The narrator explicated series of events, which led him to Vietnam. These series of events compile the reader to understand painful experiences that occurred during Vietnam War. In doing this, he impose fear to readers whereby readers feel like they are part of the characters. With no doubt; O’Brien blurs the distinction between fiction and the fact through using the subjection of truth in storytelling.  The result is that, it is difficult for readers to understand whether this was a true event or not. This creates suspense to readers of desiring to grasp more on Vietnam War. Conclusively, the author does an outstanding thing in his writing whereby he writes about Vietnam War through exploring events that talk about war. O’Brien can be emulated by the way he stands out that, stories have immense power of allowing listeners and narrators to confront the past as they share the unknowable. This contends the truth about Vietnam War with omissions and embellishment of detail. This represents an author who has the ability to respond to facts, and eventually creating impressionable events similar to facts.

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