Beethoven music
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Ludwig Van Beethoven is both a composer and pianist. In music industry, he has been the most famous and prominent composer. History has shown that, his hearing began to deteriorate in the late 1790s; nevertheless, he continued to perform, compose even after becoming completely deaf. He has composed music in several music genres with variety of instrument combination. His works for symphony orchestra consist of nine symphonies that include a chorus with some pieces of occasional music. His body of music composition has thirty-two piano sonatas and orchestra group. This has made the music very instrumental and most exciting.
In his music, from the first note, Beethoven begins it in total unconventional and energetic way with three sets of rising chords Hello. I am here. Already he is breaking the rules as a way of encouraging the listeners to hear his story. In addition, he is making a personal connection with the listeners in that they are not used in hearing this kind music. This adds a lot of vintage attitude with uniqueness to his music. In the second symphony, he calls the third movement a scherzo that literally means a joke. The normal title of the joke was minuet, which was his old-fashioned concept.
The opening of the final movement of succession of coiled springs has stunned his first audience, which sound interesting up to date. The spring’s forces to clapper, releases the bell immediately after the stroke that enables the bell to ring out. As we come to Third symphony, the joke begins with two massive chords that call to attention. Beethoven grabs the listeners in bar one and does not let the listeners go. Halfway through the first movement the first horns earlier in a bar. Ferdinand hearing this he tells Beethoven he would deal with him afterwards in that it was not meant to be that way. The second movement is a funeral match when years later Beethoven was told Napoleon had died at St Helena and it was suggested that he would compose a funeral march. The lips of orchestra group and the first bell suggest how Napoleon death had affected them. The huge forth move movement start with a flourish, which resorts to a joke. This Beethoven dedicated the song to Napoleon. In his performance, he shows the strong relationship he had with Napoleon that made the listeners to connect with him. The feeling of reverential came over him when he expressed how he was such a friend to him.
The song is composed in such a way that, there is a triplet accompaniment of the piano. Beethoven sees his beloved wherever he wanders with the music corresponding through range keys and rhythms. His major objective is to ensure that his listeners are attentive in addition, uniting with his beloved. Part of the song sets the extravagant death fantasy with final stanza in which he wishes he had flowers to express his undying love to the deceased. He sets this stanza in tones that are not of despair but of ecstasy making the allegro motto of love. A culmination of his yearning is viewed as a kind of triumphal march in which he is symbolically united with his beloved. Musically, it portrays a post-coital relaxation of the exhausted lover in his arms; it acts as a prayer-like exhalation.
In conclusion, Beethoven music is most exciting, in which he catch his listeners unaware. Piece by piece, note by note and his instrumental stands as the significant body of music ever composed.
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